| 
               
            The
            Holy Trinity Church in Cookham, first constructed by the Normans in
            1140 AD, provided the backdrop for the accomplished performance by
            soprano Elisabeth Croft at the 2013 Cookham Festival. Elisabeth, a
            graduate of the Royal Academy of Music was accompanied in the first
            half on the piano by Josef Janik (also a graduate of the Royal
            Academy who studied initially at 
            Zilina Conservatiore).
            
             
             
            
             
            Each
            note and phrase was beautifully produced by the artist as the
            audience was carried along on a series of moods throughout the
            evening commencing with Four Songs (Op. 2) by Arnold Schoenberg
            written in 1899 with notable stirring cadences in ‘Erhebung’
            (Elevation), and a sparkling rendition of ‘Waldsonne’ (Sun in
            the Forest).
            
             
             
            
             
            An
            audience is further engaged when an artist reveals something about
            themselves and Elisabeth mentioned that Mahler was always a
            favourite composer of hers and dedicated Mahler’s Four Ruckert
            Lieder to one of her singing teachers who had just passed away.
            ‘Um Mitternacht’ (At midnight) was sung with solitary beauty and
            faith.
            
             
             
            
             
            On
            this Island, a set of five songs by Benjamin Britten based on a book
            of poems by W.H. Auden which Britten set to music in 1937 continued
            the journey to more modern times with the never expected
            phraseology. The lapping sound of the ‘Seascape’ contrasts with
            the final flourish ‘As it is plenty’ and Cookham Festival’s
            Director of Classical Music, Malcolm Stork remarked this to be
            ‘approachable Britten’.  
            
             
             
            
             
            Elisabeth
            joked after the interval that she had not changed her costume,
            “just her accompanist” and introduced Michael L. Roberts who
            played his own composition ‘The Avocatus Suite: Part I’, which
            he wrote especially for Elisabeth, and which received its premiere
            in London in 2010.
            
             
             
            
             
            Here
            we listened to the artist’s firm diction while exploring ‘The
            Last Corridor’; enquiring after the ‘Deserted Star’; feeling
            restless like the ‘Butterfly’ and the lilting ‘Avocatus’
            bringing the haunting experience of the late night torch song.   
            
            
             
             
            
             
            Elisabeth’s
            encore was a Welsh Lullaby, a family favourite, and just the music
            to send us on our way home to reflect on this exhilarating evening.                    
      |